ELLIOTT LANDY

In the turbulent 1960s, the Vietnam War was raging. Young Americans 

were redefining themselves and the society in which they lived by challenging and rejecting traditional values and the so-called “establishment”. The frontiers of civil and personal consciousness were being pushed beyond their limits… inspired and energized by the messages of hope, freedom and change that burst forth in rich psychedelic colors from a hot, pulsating new music genre that would rapidly envelop an entire generation and alter the course of history. 

 

It was during this time that Elliott Landy picked up his camera to record and document this nation’s spiritual awakening through the eyes of the “Woodstock Generation.” Working with underground newspapers, his press pass and camera not only gave him access to the political scene but also provided him a personal entry into the new rock music counterculture. In less than two years his celebrated images included Bob Dylan (Nashville Skyline), The Band (Music From Big Pink, and The Band), Janis Joplin (Big Brother & The Holding Company: Cheap Thrills), Van Morrison (Moondance), Jimi Hendrix, Jim Morrison, and the Woodstock Festival of which he was one of the official photographers. Landy became one of the first "music photographers" to be recognized as an "artist."

 

Elliott's iconic photographs of Dylan and The Band during the years they resided and recorded in the small arts colony of Woodstock, NY captured the attention of a new generation seeking spiritual and artistic freedom. His imagery has become synonymous with the town, the famed 1969 Music Festival and the utopian spirit of the Woodstock Generation.       

 

Since 1967 Elliott’s work has been exhibited in galleries and museums worldwide and published on the covers of major US and international magazines and newspapers including the New York Times, Life, Rolling Stone and the Saturday Evening Post. He is the author of 9 books including his latest monograph, The Band Photographs, 1968-1969 which was the highest funded photographic book in Kickstarter history.

 

He is also the architect of a new software program LandyVision™ that blends both still and moving imagery with music to create an interactive sound and visual experience that has never been seen before.

 
Bob Dylan, outside his Byrdcliffe home, infrared color film Woodstock, NY, 1968Archival Pigment PrintSizes:  17” x 22“ $1500

Bob Dylan, outside his Byrdcliffe
home, infrared color film
Woodstock, NY, 1968

Size: 17” x 22 “ Archival Pigment Print

$1500

Bob Dylan at his Byrdcliffe home  Nashville Skyline album cover  Woodstock, NY 1969Size: 22” x 17“ Archival Pigment Print$1250

Bob Dylan at his Byrdcliffe home
Nashville Skyline album cover
Woodstock, NY 1969

Size: 22” x 17“ Archival Pigment Print

$1250

Paul Morissey, Andy Warhol, Janis Joplin, Tim Buckley at Max’s Kansas City NYC-1968Size: 17” x 22 “ Archival Pigment Print$1250

Paul Morissey, Andy Warhol, Janis Joplin, Tim Buckley
at Max’s Kansas City
NYC-1968

Size: 17” x 22 “ Archival Pigment Print

$1250

Jimi Hendrix Press Conference on top of Pan Am Building NYC 1968Size: 22” x 17“ Archival Pigment Print$1250

Jimi Hendrix Press Conference on top of Pan Am Building
NYC 1968

Size: 22” x 17“ Archival Pigment Print

$1250

Janis Joplin Big-Brother and The Holding Company  Newport Folk Festival  Newport Rhode Island 1968Size: 17” x 22 “ Archival Pigment Print$1250

Janis Joplin Big-Brother and The Holding Company
Newport Folk Festival
Newport Rhode Island 1968

Size: 17” x 22 “ Archival Pigment Print

$1250

The Band Music From Big Pink album photograph Bearsville Woodstock NY 1968Size: 17” x 22 “ Archival Pigment Print$1250

The Band Music From Big Pink album photograph Bearsville
Woodstock NY 1968

Size: 17” x 22 “ Archival Pigment Print

$1250